There is not a poor track on 'Keystone Crossing' (Scott puts a little bit of something into every track on this album – the backing vocals of Dayna Kurtz on ‘Derry Down’, for example) but two tracks stand up higher than the rest. ‘Right To Love’ is a classic blues lament (“I’ve lost all rights to you / It’s wrong of me to / Think I can try and love you now”).  We never find out what he has done to evoke such despair, such longing for how things were, but we know that things will never be the same and the sparse piano and drums pound this point home.

The albums closing track ‘You Are The One I Love’ led by the Hammond B-3 organ of guest Deacon Jones cries out for a gospel choir – at least I first thought it did - but, actually, when you posses a voice as big as Scott’s the addition of another twenty or thirty voices is really not required.