Hoosier Original Music Fundraiser

Hoosier Original Music Fundraiser

Sleepers

Fundraiser event for Hoosier original Music - A new Non profit organization whose mission is to maintain, protect, and improve the quality, community value, venue availability, and operational support of original music in Indiana; • to educate community members and the public about the original music community and musicians in Indiana; • to provide a framework for education on music business related matters and opportunities for performance for members of the original music community in Indiana.

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    Leavin' Town 4:13
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  2. 2
    The Miner's Bride 3:09
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  3. 3
    Snow Bird 4:08
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  4. 4
    Birds of Many Colours 3:29
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    Carpenter's Arms 4:45
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  6. 6
    Cowgirl Blues 4:40
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    Dirty Old Town 3:05
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  8. 8
    Elsecar Grace 5:30
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  9. 9
    Hello Stranger 3:02
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  10. 10
    January Morning 4:43
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  11. 11
    Miners 4:25
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(Above) Hi Fi Indy Opening for Sierra Ferrell Fall 2021 (Backwoods Films)

 

 

 

 

Independent Music Awards, Lincoln Center

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Listen on Sound Cloud or Listen on BandCamp

Album Release Show at Barbes, Brooklyn NYC 2019.

From a coal-mining village in Yorkshire England, Jan Bell made her name as a songwriter in NYC. Over the last twenty years recording seven critically acclaimed albums made in New Orleans, Eureka Springs AR and Brooklyn NYC. Her band "The Maybelles” started out in The Ozarks as a duo with Melissa Carper. 

Along the way opening for Wanda Jackson, Emmylou Harris, Steve Earle, Odetta, and Ramblin’ Jack Elliott. Independent Music Award for Best Alt. Country album. Nominee Best Concept album ‘Dream of the Miner’s Child’. 

 

“Maybe growing up in Nottinghamshire is what sets Jan Bell apart from the run of local lady folkies. Or maybe its the slide guitars, harmonicas, mandolins and banjos. Dark, old timey spareness......gorgeous ” - Chuck Eddy, The Village Voice

 

“Bell's music isn't strictly bluegrass, but her reworking of old-time country and jug-band blues is remarkably nuanced. It embodies the wide-open spirit of what has become an antic, hybrid genre.” - Edd Hurt, The Nashville Scene